Closer Look ‘Wicked’ and ‘Wicked: For Good’ supervising music editor Jack Dolman details a day in the life of revising the music for the blockbusters , and Ruthie Fierberg
In the producer’s office In the producer’s office: Tom Kirdahy on selling Broadway, producing musicals today and branding movie musicals , and Ruthie Fierberg
Closer Look Bernie Telsey on the key to casting the ‘Wicked’ films to perfection , and Ruthie Fierberg
Podcast The creators of ‘Two Strangers (Carry a Cake Across New York)’ insist on making a musical that’s more than surface-level , and Ruthie Fierberg
Closer Look How to build a Broadway costume: the ‘Queen of Versailles’ Marie Antoinette dress , and Ruthie Fierberg
Podcast Danny Strong had three things on his mind when he set out to fix ‘Chess’ , and Ruthie Fierberg
Closer Look The playwright and director of ‘Clue’ onstage recreate the essence of the movie and its board game source material for an all-out farce , and Ruthie Fierberg
Closer Look How one first-grade educator recruited Stephen Sondheim, Stephen Schwartz and dozens more to teach his students about Broadway, theater and empathy , and Michael Abourizk
Closer Look What does it take to move a show from Off-Broadway to Broadway within months? , and Ashley Lee
Closer Look Behind the scenes of crafting and filming the 2025 marketing campaign for Broadway’s ‘Aladdin’ , and Ruthie Fierberg
Closer Look Why Samuel D. Hunter chose to set ‘Little Bear Ridge Road’ during the pandemic — after he started writing it , and Ashley Lee
Podcast How writer Bess Wohl and director Whitney White created a play about feminism that feels joyful , and Ruthie Fierberg
Closer Look Do you know all the major stage versions of ‘The Phantom of the Opera’? , and Michael Abourizk
