Casting ‘Schmigadoon!’ leads Alex Brightman and Sara Chase set final performances , and Ruthie Fierberg
Drama Book Shop Lin-Manuel Miranda and Thomas Kail open Drama Book Shop’s basement black-box studio , and Ruthie Fierberg
Event ‘& Juliet’ to host 4th-anniversary celebration events Details for tonight’s silent disco and the Nov. 17 anniversary show , and Ruthie Fierberg
Industry Why brand partnerships on Broadway have exploded — and how to leverage them , and Ashley Lee September 13, 2026
Peter Marks Where is former Washington Post critic Peter Marks now? , and Ruthie Fierberg September 10, 2026
Design The lighting technology advances that have improved Broadway design , and Ashley Lee September 1, 2026
In the producer’s office Sue Frost discusses industry challenges, new approaches and her key to selling word-of-mouth shows , and Ruthie Fierberg August 26, 2026
Drama Book Shop Lin-Manuel Miranda and Thomas Kail open Drama Book Shop’s basement black-box studio , and Ruthie Fierberg November 13, 2026
Closer Look Moisés Kaufman says don’t call ‘Here There Are Blueberries’ documentary theater , and Ruthie Fierberg November 13, 2026
Closer Look Why — and how — sound designers are creating 3D soundscapes on Broadway , and Ashley Lee November 9, 2026
Closer Look The dramaturgical underpinning of Jamie Lloyd’s rave-like ‘Much Ado’ , and Ruthie Fierberg November 6, 2026
Closer Look Why — and how — sound designers are creating 3D soundscapes on Broadway , and Ashley Lee November 9, 2026
Closer Look Three Broadway costume designers trace their favorite technological advancements , and Ashley Lee October 15, 2026
Closer Look Inside Tony Award winner Nikiya Mathis’ detailed consultations for designing hair and wigs , and Ashley Lee September 25, 2026
Announcement Jessica Chastain to return to Broadway in ‘Lost Lear,’ also starring Corey Stoll and Michael Urie
Insights Beyond promotion: How partnerships help Broadway shows build community , and Jaelyn Alexander
Review The Broadway Review: Broadway’s ‘Real Women Have Curves’ is more jubilant, less jagged than its source , and Brittani Samuel April 28, 2025
Review The Broadway Review: ‘Dead Outlaw’ makes beautiful music in the dark , and Brittani Samuel April 28, 2025
Review The Broadway Review: ‘Just in Time’ is safe, swoonful concert-style theater , and Brittani Samuel April 27, 2025
Review The Broadway Review: ‘Pirates! The Penzance Musical’ needs to trust in stupid , and Brittani Samuel April 25, 2025