Closer Look Christian Cowan uses detail and taste to make ‘The Queen of Versailles’ shine , and Ruthie Fierberg
Closer Look Robert Icke on making ‘Oedipus’ a present-day political thriller, the filmed opening and that clock , and Ashley Lee
Podcast June Squibb, Cynthia Nixon and more say they were attracted to the big ideas in ‘Marjorie Prime’ , and Ruthie Fierberg
Closer Look Broadway’s ‘Merrily We Roll Along’ film fuses theater and cinema; how future pro-shots can do the same , and Ashley Lee
Closer Look ‘Wicked’ and ‘Wicked: For Good’ supervising music editor Jack Dolman details a day in the life of revising the music for the blockbusters , and Ruthie Fierberg
In the producer’s office In the producer’s office: Tom Kirdahy on selling Broadway, producing musicals today and branding movie musicals , and Ruthie Fierberg
Closer Look Bernie Telsey on the key to casting the ‘Wicked’ films to perfection , and Ruthie Fierberg
Podcast The creators of ‘Two Strangers (Carry a Cake Across New York)’ insist on making a musical that’s more than surface-level , and Ruthie Fierberg
Closer Look How to build a Broadway costume: the ‘Queen of Versailles’ Marie Antoinette dress , and Ruthie Fierberg
Podcast Danny Strong had three things on his mind when he set out to fix ‘Chess’ , and Ruthie Fierberg
