Closer Look Why a variety of genres was essential to crafting Kip Williams’ ‘The Picture of Dorian Gray’ , and Michael Abourizk
Closer Look ‘Cult of Love’ scribe Leslye Headland explains how the play originated, how she defines a sin and how one artistic home changed her career , and Ruthie Fierberg
Closer Look ‘Stomp’ creators Luke Cresswell and Steve McNicholas explain the inspiration behind five of their iconic instruments , and Michael Abourizk
Closer Look Why ‘Harry Potter and the Cursed Child’’s producers changed the show — twice — and how they did it , and Ruthie Fierberg
Closer Look How the live camera work in Broadway’s ‘Sunset Boulevard’ elevates its theatricality , and Ruthie Fierberg
Closer Look Combining history and imagination to write Broadway’s ‘Buena Vista Social Club’ , and Ruthie Fierberg
Closer Look How frequently do Tony Award-winning shows transfer to the West End and Olivier-winning shows to Broadway? , and Michael Abourizk
Closer Look Why George Clooney and Grant Heslov turned ‘Good Night and Good Luck’ into a play , and Ruthie Fierberg
Closer Look How to boost the chances for a show to succeed on Broadway and in the West End , and Hannah Irene Rubenstein
Closer Look A peek behind the instrumentation of ‘Kimberly Akimbo’ with orchestrator John Clancy , and Ruthie Fierberg
