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How ‘Giant’ upends the drawing-room play form in more ways than one

The behind-closed-doors dramatization of Roald Dahl’s real-life scandal riffs on the “inherently artificial” aesthetic of English country house dramas, said playwright Mark Rosenblatt and designer Bob Crowley.

(L-R) Aya Cash, John Lithgow, Stella Everett and Rachael Stirling in “Giant” on Broadway, 2026 (Credit: Joan Marcus)

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