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Views

Opinion: ‘Be More Chill’ and the buying power of social media

,   and  Jeremy Gerard

Tonys Spotlight

Choreographer Warren Carlyle on how ‘Kiss Me, Kate’ moves

,   and  Justin Nichols

Tonys Spotlight

‘Oklahoma!’ through the eyes of director Daniel Fish

,   and  Justin Nichols

Tonys Spotlight

Heidi Schreck on bringing the ‘Constitution’ to Broadway

,   and  Justin Nichols

Tonys Spotlight

How ‘Beetlejuice’ composer Eddie Perfect booked two Broadway shows in a season

,   and  Justin Nichols

Tonys Spotlight

How ‘The Ferryman’ sprang to life

,   and  Justin Nichols

Tonys Spotlight

‘Be More Chill’s’ Joe Iconis on why Broadway should be weirder

,   and  Justin Nichols

Tonys Spotlight

Director George C. Wolfe on finding the gore and guts of ‘Gary’

,   and  Justin Nichols

Tony Awards

Opinion: The revolution that propelled this year’s Tony nominations

,   and  Jeremy Gerard

Review

Review: In ‘Beetlejuice,’ death comes to life

,   and  Charles Isherwood

Review

Review: ‘Ink’ takes a multi-paged romp through tabloid journalism

,   and  Charles Isherwood

Review

Review: ‘Tootsie’ gets the laughs, but not the music

,   and  Charles Isherwood

Review

Review: A superb ‘All My Sons’ revitalizes a classic drama

,   and  Elizabeth Bradley

Review

Review: After the fall of the emperor, confusion reigns in ‘Gary’

,   and  Elizabeth Bradley

Review

Review: Skimming the surface of semi-fiction in ‘Hillary and Clinton’

,   and  Charles Isherwood

Review

Review: An exhilarating ‘Hadestown’ revitalizes a classic love story

,   and  Charles Isherwood