Closer Look ‘Stomp’ creators Luke Cresswell and Steve McNicholas explain the inspiration behind five of their iconic instruments , and Michael Abourizk
Broadway Press Day How Tina Landau and Adam Guettel discovered the story of Floyd Collins , and Ruthie Fierberg
Broadway Press Day Why Jonathan Groff chose playing Bobby Darin as the follow-up to his Tony Award win , and Broadway News
Closer Look Why ‘Harry Potter and the Cursed Child’’s producers changed the show — twice — and how they did it , and Ruthie Fierberg
Broadway Press Day Why the 26-character ‘Picture of Dorian Gray’ is suited for the solo treatment , and Broadway News
Closer Look How the live camera work in Broadway’s ‘Sunset Boulevard’ elevates its theatricality , and Ruthie Fierberg
Closer Look Combining history and imagination to write Broadway’s ‘Buena Vista Social Club’ , and Ruthie Fierberg
Closer Look How frequently do Tony Award-winning shows transfer to the West End and Olivier-winning shows to Broadway? , and Michael Abourizk
Closer Look Why George Clooney and Grant Heslov turned ‘Good Night and Good Luck’ into a play , and Ruthie Fierberg
Closer Look How to boost the chances for a show to succeed on Broadway and in the West End , and Hannah Irene Rubenstein
Closer Look A peek behind the instrumentation of ‘Kimberly Akimbo’ with orchestrator John Clancy , and Ruthie Fierberg
