Closer Look How ‘Dead Outlaw’’s writers discovered the musical’s signature sound and narrative , and Ruthie Fierberg
Broadway Press Day Sergio Trujillo specifically chose ‘Real Women Have Curves’ for his Broadway directorial debut , and Broadway News
Closer Look David Henry Hwang doesn’t mind being the butt of the joke — in fact, for Broadway’s ‘Yellow Face’ he needed to be , and Ruthie Fierberg
Closer Look Why a variety of genres was essential to crafting Kip Williams’ ‘The Picture of Dorian Gray’ , and Michael Abourizk
Broadway Press Day How Tina Landau and Adam Guettel discovered the story of Floyd Collins , and Ruthie Fierberg
Broadway Press Day Why Jonathan Groff chose playing Bobby Darin as the follow-up to his Tony Award win , and Broadway News
Broadway Press Day Why the 26-character ‘Picture of Dorian Gray’ is suited for the solo treatment , and Broadway News
Closer Look How the live camera work in Broadway’s ‘Sunset Boulevard’ elevates its theatricality , and Ruthie Fierberg
Closer Look Combining history and imagination to write Broadway’s ‘Buena Vista Social Club’ , and Ruthie Fierberg
