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Review: ‘The Shark Is Broken’ offers fan service without teeth

Transferring from London’s West End, the comedy relies on nostalgia and fandom.

(L-R) Colin Donnell, Ian Shaw and Alex Brightman in “The Shark Is Broken” on Broadway (Credit: Matthew Murphy)

Three men scramble around a rickety boat, hellbent on an impossible mission: to survive a deliriously expensive game of make-believe and emerge as Hollywood legends. The most savage foe in “The Shark Is Broken” — a new play about the plagued filming of “Jaws” — is not the torso-snapping maw of a Great White, but the delusion of ego.

As written by Ian Shaw and Joseph Nixon, “Jaws” director Steven Spielberg is the first to blame. Fans of the 1975 blockbuster that forever ruined ocean swimming may be familiar with horror stories from the film set, which devoured as much time and money as flailing wet limbs. If shooting the movie on the open waters was the director’s Moby Dick, the actors portrayed in this captive-at-sea backstage comedy are hoping to survive with their stomachs and reputations intact. Bonus if the picture also happens to make them famous.

The trio of soon-to-be stars — Richard Dreyfuss, Robert Shaw and Roy Scheider — are piled into the cramped interior of a wooden vessel, toiling around a card table as the movie’s chaotic production drags on offstage. (The boat, recognizable from the film’s final deadly chase, is marvelously recreated here by Duncan Henderson, who also designed the costumes, while Nina Dunn’s video design and Jon Clark’s lighting vividly maroon the actors at sea.)

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