Review

Review

Review: Life, death and the banalities in between in ‘Sea Wall/A Life’

,   and  Charles Isherwood

Review

Review: ‘Moulin Rouge!’ hits Broadway with a panache of pop

,   and  Charles Isherwood

Review

Review: A blending of the prosaic and the poetic in ‘Frankie and Johnny’

,   and  Charles Isherwood

Review

Review: In ‘Beetlejuice,’ death comes to life

,   and  Charles Isherwood

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Review: ‘Ink’ takes a multi-paged romp through tabloid journalism

,   and  Charles Isherwood

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Review: ‘Tootsie’ gets the laughs, but not the music

,   and  Charles Isherwood

Review

Review: A superb ‘All My Sons’ revitalizes a classic drama

,   and  Elizabeth Bradley

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Review: After the fall of the emperor, confusion reigns in ‘Gary’

,   and  Elizabeth Bradley

Review

Review: Skimming the surface of semi-fiction in ‘Hillary and Clinton’

,   and  Charles Isherwood

Review

Review: An exhilarating ‘Hadestown’ revitalizes a classic love story

,   and  Charles Isherwood

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Review: A blazing Adam Driver commands the stage in ‘Burn This’

,   and  Charles Isherwood

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Review: A distracted ‘Oklahoma!’ skims the emotional surface

,   and  Charles Isherwood

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Review: A scorching Glenda Jackson leads the way for the women of ‘King Lear’

,   and  Charles Isherwood

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Review: An act of resistance in ‘What the Constitution Means to Me’

,   and  Elizabeth Bradley

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Review: ‘Ain’t Too Proud’ hits the steps, but not the story

,   and  Charles Isherwood

Review

Review: Kelli O’Hara soars in a revised ‘Kiss Me, Kate’

,   and  Charles Isherwood