> ## Content Index > Fetch the complete content index at: https://www.broadwaynews.com/llms.txt > Use this file to discover other available public pages before exploring further. # 25 Broadway News Stories from 2025 - URL: https://www.broadwaynews.com/25-broadway-news-stories-from-2024-copy/ - Published: 2025-12-28T17:00:50.000Z - Updated: 2025-12-28T19:11:55.000Z - Author: Broadway News ![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/2023/12/Untitled-design--1--2-1.jpg) Red velvet theater seats (Credit: Manuel Medir/Getty Images) Here is a selection of 25 in-depth stories from Broadway News in 2025\. We'll see you in 2026! --- [5 Broadway advertising executives get honest with Broadway NewsLiz Furze, Callie Goff, Jeremy Kraus, Ilene Rosen and Matt Upshaw share their honest thoughts about advertising and marketing Broadway in 2025.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-536.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Untitled-design-1-3.jpg)](https://www.broadwaynews.com/5-broadway-advertising-executives-get-honest-with-broadway-news/) [How the live camera work in Broadway’s ‘Sunset Boulevard’ elevates its theatricalityDirector Jamie Lloyd, choreographer Fabian Aloise and co-video designer-cinematographer Joe Ransom spill the details behind using simulcast for the ultimate musical experience.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-534.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Sunset-Blvd-NY-DRESS-TWO-5620-Enhanced-NR_PJZEDIT_v001-1-1.jpg)](https://www.broadwaynews.com/how-the-live-camera-work-in-broadways-sunset-boulevard-elevates-its-theatricality/) [Why ‘Harry Potter and the Cursed Child’’s producers changed the show — twice — and how they did itLead producers Sonia Friedman and Colin Callender, playwright Jack Thorne and production stage manager Rolt Smith divulge the details.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-535.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/SoniaFColinC_IMG_1576-1-1.jpg)](https://www.broadwaynews.com/why-harry-potter-and-the-cursed-childs-producers-changed-the-show-twice-and-how-they-did-it/) [Why producers have revived the practice of Broadway stops on national toursWith shows like “The Wiz,” “Mamma Mia!” and “Beetlejuice” including Main Stem engagements in their tours, the closer integration of the road and the Rialto has been a boon for both markets.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-538.png)Broadway NewsAshley Lee![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Untitled-design-11.jpg)](https://www.broadwaynews.com/why-producers-have-revived-the-practice-of-broadway-stops-on-national-tours/) [How to win back Broadway audiences in an ease-obsessed worldA new study reveals that the barrier of effort is one to which Broadway must pay greater attention.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-550.png)Broadway NewsDamian Bazadona![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Untitled-design-2-4.jpg)](https://www.broadwaynews.com/how-to-win-back-broadway-audiences-in-an-ease-obsessed-world/) [Why lighting ‘Maybe Happy Ending’ became a design featLighting designer Ben Stanton shares his exclusive research and explains how he used color, warmth and ingenuity to clear the unique challenges of the new musical.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-539.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Untitled-design-5-4.jpg)](https://www.broadwaynews.com/why-lighting-maybe-happy-ending-became-a-design-feat/) [The women on Broadway are sexy and owning itFrom “Gypsy” and “Death Becomes Her” to “Smash” and “John Proctor Is the Villain,” the 2024-2025 season highlights women in a refreshing way.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-533.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Untitled-design--1--2-2.jpg)](https://www.broadwaynews.com/the-women-on-broadway-are-sexy-and-owning-it/) [How Oscar-nominated costume designer Paul Tazewell built the on-screen worlds of ‘Wicked’ from Munchkinland to the Emerald CityThe Tony Award-winning designer takes Broadway News through his concepts.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-540.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/3.jpg)](https://www.broadwaynews.com/how-oscar-nominated-costume-designer-paul-tazewell-built-the-on-screen-worlds-of-wicked-from-munchkinland-to-the-emerald-city/) [On creating a resonant and realistic play about teen girls with ‘John Proctor Is the Villain’Tony Award-nominated director Danya Taymor and Tony-nominated playwright Kimberly Belflower reveal the inner workings of the Broadway drama.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-541.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/2214106771-1-1.jpg)](https://www.broadwaynews.com/on-creating-a-resonant-and-realistic-play-about-teen-girls-with-john-proctor-is-the-villain/) [How to build a Broadway costume: the ‘Queen of Versailles’ Marie Antoinette dressDesigner Christian Cowan, costume shop owner Eric Winterling and more take Broadway News through the step-by-step process of making a gown for “The Queen of Versailles.”![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-537.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Untitled-design-4-2.jpg)](https://www.broadwaynews.com/how-to-build-a-broadway-costume-the-queen-of-versailles-marie-antoinette-dress-2/) [When Broadway isn’t the final versionTom Kitt and Cameron Crowe reveal their unconventional process of redeveloping and rewriting their musical “Almost Famous” — before it even closed on Broadway.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-542.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/unnamed-2.jpg)](https://www.broadwaynews.com/when-broadway-isnt-the-final-version/) [What does the ‘Late Show’ cancellation mean for Broadway?Industry leaders Adrian Bryan-Brown, Lisa Cecchini, Lucas McMahon, Rick Miramontez and Matt Polk weigh in on the loss of Stephen Colbert’s platform and its potential effect on Broadway’s brand, sales and more.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-543.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/GettyImages-846077072-1.jpg)](https://www.broadwaynews.com/what-does-the-late-show-cancellation-mean-for-broadway/) [How ‘Dead Outlaw’’s writers discovered the musical’s signature sound and narrativeDavid Yazbek, Erik Della Penna and Itamar Moses describe the origins of the Tony Award-nominated show.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-545.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/NinaW-DeadOutlaw-Carpet-151.jpg)](https://www.broadwaynews.com/how-dead-outlaws-writers-discovered-the-musicals-signature-sound-and-narrative/) [How hair and makeup design communicates more than theatergoers may thinkDissecting designer J. Jared Janas’ creations like Sutton Foster’s “Once Upon a Mattress” wigs and makeup for “Buena Vista Social Club.”![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-546.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/J-Jared-Janas-in-Action-1.jpg)](https://www.broadwaynews.com/how-hair-and-makeup-design-communicates-more-than-theatergoers-may-think/) [This startup is rethinking Broadway merchandising — and succeedingNew company .merch has shaken up the industry with its fresh variety of goods and unpredictable product drops for Best Musical Tony Award winner “Maybe Happy Ending.”![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-553.png)Broadway NewsAshley Lee![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Untitled-design--2--4-1.jpg)](https://www.broadwaynews.com/this-startup-is-rethinking-broadway-merchandising-and-succeeding/) [Little-known theater jobs: electronic music designer and synth programmerBilly Jay Stein, the sonic wizard behind “MJ,” “Just in Time” and more, reveals the keys to his field.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-547.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/BILLY-STUDIO-copy.jpeg)](https://www.broadwaynews.com/little-known-theater-jobs-electronic-music-designer-and-synth-programmer/) [Is Manhattan Theatre Club experiencing a renaissance?Founding artistic director Lynne Meadow and (relatively) new executive director Chris Jennings on the nonprofit’s post-pandemic strength in audience response, awards-worthy plays and strategic planning![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-551.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Untitled-design-3-3.jpg)](https://www.broadwaynews.com/is-manhattan-theatre-club-experiencing-a-renaissance/) [In the producer’s office: Tom Kirdahy on selling Broadway, producing musicals today and branding movie musicalsA lead producer of “Just in Time,” “Ragtime” and “Hadestown,” as well as the 2025 “Kiss of the Spider Woman” film, shares the two questions he asks when creating the ad campaign for any new project.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-552.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Tom-Kirdahy_-Photo-by-Neilson-Barnard--1--1.jpeg)](https://www.broadwaynews.com/in-the-producers-office-tom-kirdahy-on-selling-broadway-producing-musicals-today-and-branding-movie-musicals/) [Selling a show in London vs. New YorkProducers Sonia Friedman, Lucas McMahon and more talk marketing strategies, critical reception and awards in the West End vs. Broadway.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-559.png)Broadway NewsHannah Irene Rubenstein![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Untitled-design-11-2.jpg)](https://www.broadwaynews.com/selling-a-show-in-london-vs-new-york/?utm%5Fsource=sniply&utm%5Fcampaign=sniply&utm%5Fmedium=sniply) [Roundabout Theatre Company executive producer Sydney Beers talks about the nonprofit’s futureBeers reflects on reaching 30 years with the organization.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-554.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/DK2L9856_u2DWX2rT-1.jpg)](https://www.broadwaynews.com/roundabout-theatre-company-executive-producer-sydney-beers-talks-about-the-nonprofits-future/?utm%5Fsource=sniply&utm%5Fcampaign=sniply&utm%5Fmedium=sniply) [Why regional theaters are a vital testing ground for Broadway-aimed showsLa Jolla Playhouse managing director Debby Buchholz on how regional venues can be key not only for creative development but for ad and marketing strategies![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-558.png)Broadway NewsDebby Buchholz![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Debby-Buchholz-2.jpg)](https://www.broadwaynews.com/why-regional-theaters-are-a-vital-testing-ground-for-broadway-aimed-shows/?utm%5Fsource=sniply&utm%5Fcampaign=sniply&utm%5Fmedium=sniply) [Little-known theater jobs: Followspot operatorThe two operators for “Just in Time” at Circle in the Square describe how they control all the musical’s spotlights remotely from below the stage.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-548.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/unnamed-1.jpg)](https://www.broadwaynews.com/little-known-theater-jobs-followspot-operator/) [Behind the scenes of crafting and filming the 2025 marketing campaign for Broadway’s ‘Aladdin’Disney and Situation executives reveal the full process — from conception through editing — of creating a fresh campaign for a musical in its 12th year.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-557.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Friend-Like-Me_Photo-By-Deen-van-Meer-1.jpg)](https://www.broadwaynews.com/behind-the-scenes-of-crafting-and-filming-the-2025-marketing-campaign-for-broadways-aladdin/) [What’s the difference between a lead producer, executive producer and co-producer?Defining the roles and corresponding responsibilities of different producer titles![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-555.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/GettyImages-108981244-2-1.jpg)](https://www.broadwaynews.com/whats-the-difference-between-a-lead-producer-executive-producer-and-co-producer/) [What keeps Tony Award-winning costume designer Gregg Barnes goingBarnes shares his personal story as well as industry lessons learned as a guide for novices and seasoned pros alike.![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/icon/broadway-news-favicon-549.png)Broadway NewsRuthie Fierberg![](https://storage.ghost.io/c/79/db/79db42b7-f4e9-42b6-8d81-14cee7d2a3d1/content/images/thumbnail/Copy-of-0407_TDF-Costumes-and-Cocktails_RebeccaJMichelson-242.jpg)](https://www.broadwaynews.com/what-keeps-tony-award-winning-costume-designer-gregg-barnes-going/) **PODCASTS:** “**Broadway Press Day with Ruthie Fierberg**” & **“5 minutes with a Tony nominee”** • [**Listen on Spotify!**](https://open.spotify.com/show/6v9czr6cvzqXROBTWSLcDB?ref=broadwaynews.com) • [**Listen on Apple Podcasts!**](https://podcasts.apple.com/us/podcast/broadway-press-day-with-ruthie-fierberg/id1793607324?ref=broadwaynews.com)